Chapter 20 - The Voice from the Baby Monitor

I snatched the phone to my ear, my knuckles white, my scream tearing through the silent Park Avenue penthouse. "Who is this?"
Static hissed across the line, rhythmic and wet, like the sound of someone breathing heavily through an open throat.
Then came the voice—deep, cultured, and dripping with thirty years of buried malice.
"Julian always was a sentimental fool, Connor," the man chuckled softly. "He thought hiding Marcus would save the family line. He never realized that Eleanor wasn't the only one who wanted that land."
"Who the hell are you?" I roared, motioning furiously to Detective Cruz to trace the call.
"Your father had two brothers, boy. Marcus was the drunk. I was the one who bought the matches for Julian Jr.'s car."
The line went dead.
"Cruz!" I yelled, spinning around. "Get the cars! Someone is at the house!"
"Connor, your wife and kid are in Rhode Island—"
"No, they're not!" I shouted, the sheer terror blinding me. "Amy called me an hour ago—she couldn't stand being away, she said the private security contractor was escorting them back to the house because the police declared the property cleared!"
We broke every traffic law between Manhattan and the Connecticut border. The state police cruisers flew down I-95 with sirens screaming, cutting through the early winter sleet that was turning the highway into a sheet of black ice.
By the time we pulled through the shattered iron gates of the Bradley estate, the first major blizzard of December was howling through the bare oak trees.
The house was completely dark. The backup generator was silent, its fuel lines severed.
The front doors stood wide open, banging against the stone frame in the freezing gale.
"Amy!" I screamed, leaping from the cruiser before it had even come to a complete stop, drawing my tactical light as I sprinted up the granite steps. "Amy! Frederick!"
Inside, the great foyer was an icebox. Snow was blowing across the antique Persian rugs.
"Connor!" a faint cry came from the top of the grand staircase.
Amy was crouching on the landing, clutching Frederick inside her winter coat, her face streaked with tears, a bloody kitchen knife in her right hand.
"Amy! Are you hurt?" I leaped up the stairs three at a time, wrapping my arms around them both. Frederick was sobbing, cold to the touch but uninjured.
"He was here, Connor," she wept, her teeth chattering uncontrollably. "A man... he cut the generator. The security guards outside... they're not moving in the snow. He told me to tell you that the debt wasn't to Eleanor. The debt was to the Bradley Trust."
Suddenly, the static of the battery-operated baby monitor on Amy’s belt clicked on with a loud, electronic *pop*.
The crying of a small child echoed through the small plastic speaker.
Not Frederick. Frederick was in Amy's arms.
The sound coming through the monitor was the muffled, terrified wailing of a toddler, accompanied by the slow, rhythmic creaking of a rocking chair.
Then, a harsh, gravelly voice began to hum through the speaker—singing the antique German lullaby Eleanor had sung to me every night when I was a child.
Amy looked at me, her eyes dilated with sheer, paralyzing horror.
"Connor," she whispered, her voice barely a breath against the sound of the howling blizzard. "That monitor... the transmitter isn't upstairs."
I looked down at the frequency dial on the small receiver.
It was tuned to the sub-basement.
The sealed brick vault beneath the root cellar—the one we hadn't opened.
From deep within the floorboards beneath our feet came the heavy, deliberate sound of three slow knocks.
*Thump. Thump. Thump.*
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And then, the voice of Eleanor Bradley whispered through the static of the baby monitor, clear as a bell from beneath the earth:
*"Welcome home, Connor. Come meet your real brother."*