Living

Chapter 7 - The Lake Champlain House

The sun was rising in a wash of pale rose and slate-gray when the Volvo turned down the overgrown gravel driveway leading to the shores of Lake Champlain.

The cottage stood exactly as I remembered it from my youth: dark cedar shingles, a wrap-around stone porch, and tall white pines that leaned out over the churning, iron-gray water of the lake. The windows were shuttered against the autumn wind.

I parked the Volvo beneath the heavy canopy of an abandoned boathouse, covering the vehicle with a moldy canvas tarp.

"Mason, take Paisley up to the porch," I instructed, handing Sadie the second Glock from the glove compartment. "Stay behind me."

We walked up the creaking wooden steps. The air smelled of pine needles, wet slate, and freshwater. I unlocked the heavy brass padlock on the front door using the key Christopher had kept on his everyday keychain—a key I had always assumed belonged to his office supply cabinet.

Inside, the cottage was frozen in time. Sheets covered the furniture. The smell of cedar and dry fireplace soot lingered in the rooms.

"Where is it?" Sadie asked, her eyes darting across the wood-paneled living room.

"My father's studio was in the loft," I said, heading directly toward the spiral staircase in the center of the cabin.

The loft was bathed in cold morning light pouring through an arched skylight. In the center of the room stood an old French easel made of walnut, stained with decades of dried oil paint.

I approached the easel. My father had bought this for me on my twelfth birthday. I ran my fingers along the mast of the wooden stand, remembering his gentle hands guiding my brush, showing me how to mix cerulean blue with burnt umber to create the deep, terrifying gray of winter water.

*Look beneath the surface, Ellie,* he used to say. *The truth of an image is never on the canvas. It's in the armature underneath.*

I knelt down and examined the heavy wooden base of the easel.

There, recessed into the bottom of the central upright spar, was a tiny, circular brass core. It was an antique watchmaker’s lock.

I turned to Sadie. "He said you knew the route. Do you have the key?"

Sadie reached into her shirt and pulled out a delicate silver chain around her neck. Hanging from it was a tiny, intricate brass key no larger than a grain of rice.

"Julian put this around my neck the day the doctors told him he had forty-eight hours left," she whispered.

I took the tiny key with shaking fingers, inserted it into the base of the easel, and turned it.

A hollow *click* echoed through the loft.

A four-inch section of the walnut timber slid open. Inside lay a military-spec, titanium-encased flash drive and an audio cassette labeled in red grease pencil: *TESTIMONY - JULIAN VANCE / ARTHUR VANCE.*

Before I could reach for the drive, the sudden, violent roar of a low-flying helicopter ripped through the peace of the lake.

The cottage windows rattled violently in their frames.

"Mom!" Mason screamed from downstairs. "Mom, there’s a big black bird over the water!"

I bolted to the loft window.

Hovering barely fifty feet above the churning gray surface of Lake Champlain was an unmarked black MH-6 Little Bird helicopter. On the rocky shoreline two hundred yards away, two black Zodiac inflatable boats were cutting through the waves at high speed, each carrying four heavily armed tactical operators.

And standing on the bow of the lead boat, holding a tactical radio, was a man in a black cashmere coat and silver hair.

May you like

Arthur Davis had found us.

***

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